138 Free Artworks of Italian Opera

alessandro sanquiricoromanticismlithographs by achille devériaachille devériapaperbritish museuml'ultimo giorno di pompei (milan 1827)1827 engravingsrealismprints by william hogarth in the british museum
Berenstadt, Cuzzoni and Senesino, William Hogarth, 1723
prints by william hogarth in the british museumrealism
Buenos Aires. Plaza Lavalle Showing Lavalle Monument and Colon Theatre (4725336154)
historical images of teatro colónplaza lavalle
Benozzo Gozzoli - Pilastri con figure di Santi, Galleria dell'Accademia, Firenze, Benozzo Gozzoli
saints by benozzo gozzoliitalian renaissance
Garden of the House of Diomedes near the Walls of Pompei, Alessandro Sanquirico, 1827
l'ultimo giorno di pompei (milan 1827)1827 engravings
Atrium of the house of Sallust, Alessandro Sanquirico, 1827
l'ultimo giorno di pompei (milan 1827)1827 engravings
Costumes L'ultimo giorno di Pompei Pacini, Alessandro Sanquirico, 1827
l'ultimo giorno di pompei (milan 1827)1827 engravings
Benozzo Gozzoli - Pilastri con figure di Santi, Galleria dell'Accademia, Firenze (cropped Gozzoli), Benozzo Gozzoli
saints by benozzo gozzoliitalian renaissance
Alessandro Sanquirico - Stanza con una specie d'arcova (set design for the opera 'La gioventù di Giulio Cesare' by Stefano Pavesi, 1817) (cropped), Alessandro Sanquirico, circa 1827
scenographies by alessandro sanquiricoteatro alla scala scenic design
Entrance to the Amphitheater, Alessandro Sanquirico, 1827
l'ultimo giorno di pompei (milan 1827)1827 engravings
Entrance to Pompeii from the Nolan Gate, Alessandro Sanquirico, 1827
l'ultimo giorno di pompei (milan 1827)1827 engravings
Madame Pasta dans le rôle d'Anna Bolena, 2021.3.1, En 1832
collections of musée de la vie romantiqueromanticism
Portret van de Italiaanse operazanger Giuseppe Viganoni, RP-P-1910-359, Antoine Cardon, 1804
etchings in the rijksmuseum amsterdamantoine cardon
Durham mustard too powerfull for Italian capers, or the opera in an uproar, Isaac Cruikshank, circa 1798
prints by isaac cruikshank in the british museumsatirical prints in the british museum
Durham mustard too powerfull for Italian capers, or the opera in an uproar, Isaac Cruikshank, circa 1798
prints by isaac cruikshank in the british museumsatirical prints in the british museum
Barzizza-guiniforte-anton-fritz-1723-detail, Anton Fritz, Publ. 1723.
18th-century engraved portraits of men at half lengthanton fritz
Barzizza-guiniforte-salvioni-anton-fritz-1723, Anton Fritz, Publ. 1723.
18th-century engraved oval portraits of men at half lengthanton fritz
Alessandro Sanquirico - Stanza con una specie d'arcova (set design for the opera 'La gioventù di Giulio Cesare' by Stefano Pavesi, 1817), Alessandro Sanquirico, circa 1827
scenographies by alessandro sanquiricoteatro alla scala scenic design
Décoration de Théâtre du Ballet de Thétis représenté en machine au Petit-Bourbon devant leurs Majestés de l'Invention de Torrelli – Gallica 2010, Giacomo Torelli, 1654
le nozze di peleo e di tetiaveline family
Lacoste, Lesage, La Font - La Princesse de Carizme act1sc2 - césar, Robert Bonnart, 1721 (publication)
1721 in theatrepoilly family
View from the Hotel Kaiserhof to Dresden's old town, Freimund Edlich, 1883
photographs by freimund edlich from the deutsche fotothek1883 in dresden
Berenstadt, Cuzzoni and Senesino, William Hogarth, 1723
prints by william hogarth in the british museumrealism
Costumes historiques Melle Tadolini dans le rôle de Jeanne Seymour, troisième femme d'Henri VIII, dans l'opéra Anna Bo, G.12259, Achille Devéria, Entre 1831 et 1839
lithographs in musée carnavaletromanticism
SANQUIRICO - Volte Sotterranee (Scene from Gli Arabi nelle Gallie by Giovanni Pacini), Alessandro Sanquirico, after 1827
scenographies by alessandro sanquiricogli arabi nelle gallie
SANQUIRICO - Volte Sotterranee (Scene from Gli Arabi nelle Gallie by Giovanni Pacini) (cropped), Alessandro Sanquirico, after 1827
scenographies by alessandro sanquiricogli arabi nelle gallie
Drawing, print study, William Hogarth, circa 1740
prints by william hogarth in the british museumrealism
Drawing, print study, William Hogarth, circa 1740
prints by william hogarth in the british museumrealism
Théâtre de Vaudeville. Paris Musées 20230611155203
etchings of paris by adolphe potémontprints in musée carnavalet
Portrait de Joseph Catruffo (1771-1851), musicien italien. (IFF 130), G.12161 (3 of 3), Achille Devéria, En 1830
engravings in musée carnavaletromanticism
Portrait de Joseph Catruffo (1771-1851), musicien italien. (IFF 130), G.12161 (2 of 3), Achille Devéria, En 1830
engravings in musée carnavaletromanticism
Portrait de Joseph Catruffo (1771-1851), musicien italien. (IFF 130), G.12161 (1 of 3), Achille Devéria, En 1830
engravings in musée carnavaletromanticism
Guckkastenbild Wilsdruffer Tor 1770, Bernardo Bellotto
dresden in the 1770swilsdruffer tor
De ontdekking van het kruis van Christus Crucis Christi inventio opera S Helenae aug (titel op object) Isagogia historia de Constantino max imperatore instatuta militie angelicae aureatae Constantinianae sub titulo mag, RP-P-OB-208.910, Antonio Tempesta, between 1565 and 1630
prints by antonio tempesta in the rijksmuseum amsterdamrenaissance
Scenes and Machines prepared for the Teti Balletto Wedding, Israel Silvestre, 1654
engravings by israël silvestrele nozze di peleo e di teti
Portrait de Luigi Lablache (1794-1858), chanteur d'opéra, dans le rôle d'Henri VIII. G.12208 (1 of 3), Achille Devéria, Vers 1830
lithographs in musée carnavaletromanticism
Portrait de Luigi Lablache (1794-1858), chanteur d'opéra, dans le rôle d'Henri VIII. G.12208 (2 of 3), Achille Devéria, Vers 1830
lithographs in musée carnavaletromanticism
Portrait de Luigi Lablache (1794-1858), chanteur d'opéra, dans le rôle d'Henri VIII. G.12208 (3 of 3), Achille Devéria, Vers 1830
lithographs in musée carnavaletromanticism
De ontdekking van het kruis van Christus Crucis Christi inventio opera S Helenae aug (titel op object) Isagogia historia de Constantino max imperatore instatuta militie angelicae aureatae Constantinianae sub titulo mag, RP-P-H-H-727, Antonio Tempesta, between 1565 and 1630
prints by antonio tempesta in the rijksmuseum amsterdamrenaissance
Fountain of Arethusa in Syracuse, Bartolomeo Pinelli, 1818
john goldicuttetchings
101 - 138 of 138
/ 2